Box-Salon

Musical theater with song and boxing match

In the ring, not only a singer and a pianist compete against each other, but also real boxers with real punches. A physical staging of grief and its five phases – with piano improvisations over bouncing boxing gloves.

When we grieve deeply, it usually takes place in five specific phases: Denial, Anger, Bargaining, Depression and Acceptance of the situation. At the HIDALGO Box Salon, we experience the grieving process through the songs of John Dowland and Kurt Weill.

The evening is carried by the powerful singer Andromahi Raptis. She embodies a boxer who, after a heavy defeat, has to accept that she has been beaten and that her big dream has been shattered. Her inner battle is revealed in a real boxing match, which is fought for one round by the athletes of BOXWERK München.

The critically acclaimed production celebrated its premiere at the HIDALGO Festival 2020 and has since made guest appearances at festivals and concert series throughout Germany. In 2022, we upcycled the play with a completely new prologue including a mini radio play.

IDEA & PRODUCTION
Tom Wilmersdörffer

MUSICAL CONCEPT
Johanna Malangré

DRAMATURGY
Melanie Renz

LIGHT DESIGN Lukas Kaschube
SPEAKER
Theresa Weihmayr
,
Tom Wilmersdörffer

COMPOSITION PROLOGUE Benedikt Brachtel
PRODUCTION PROLOG Vincent Semlinger

The stage artists will be cast according to the usual artistic level of HIDALGO and its artist collective. The artists may vary depending on availability. So far:

1 x SOPRAN
Andromahi Raptis

1 x PIANO
Toni Ming Geiger
,
Rie Kibayashi
,
Rebeka Stojkoska
,
Jonathan Ware

2 x BOXER
BOXWERK Munich

1 x RINGRICHTER
BOXWERK Munich
, Klaus B. Wolf

TECHNICAL MANAGEMENT
Lukas Kaschube

PROJECT MANAGEMENT
Sophia Rieth
,
Mara Rosenbaum

Press reviews

“Surprising concept and exciting implementation”
BAVARIAN RADIO

“A gripping spectacle”
BADISCHE NEWSPAPER

“Music as something elementary that shows a person in all their misery, but also how they can rise from it”
SOUTH GERMAN NEWSPAPER

WORK
Songs by John Dowland and Kurt Weill

DURATION
60 minutes

PREVIOUS PERFORMANCES
12.09.2020 – HIDALGO Festival 2020 (UA)
20.03.2021 – ID Festival Berlin (Streaming)
19.01.2022 – Chamber Music Plus, Lahr
21.05.2022 – Mozartfest Augsburg
07.10.2022 – HIDALGO Festival 2022
17.06.2023 – Blue Hall, Pullach
18.06.2023 – Reichshof, Bayreuth

“Singing as something elementary that shows a person in all their misery, but also how they can rise from it”

Süddeutsche Zeitung

CONTENTS

Boxer Jenny is about to have her all-important fight: if she wins, a great career beckons. If she loses, she has to give up her dream. We learn all this in a mini radio play that runs at the beginning of the BOX SALON. Singer Andromahi Raptis as Jenny and the evening’s pianist as her opponent compete against each other in an exhibition match. Jenny is knocked out – and has lost everything.

A woman lies prostrate on the floor in the ring, thus beginning the musical part of the evening, a powerful one-woman show. Because Jenny gets up and fights on. Not against her opponent, because she won, but with herself. She cries, she screams, she throws everything away – and yet in the end she finds something like peace.

The BOX-SALON deals with the grief that hits us when we have lost great things and a part of ourselves dies. Dealing with this usually takes place in five specific phases: Denial, Anger, Bargaining, Depression and Acceptance of the situation. In this song production, we experience the grieving process through the songs of John Dowland and Kurt Weill.

On the surface, their very different works sometimes tell different frame stories, but behind the scenes they fit into the universal phases of coping with grief. The songs from the 16th and the first half of the 20th century touch us directly and give us an idea of how timelessly grief is perceived, lived through and processed. The inner battle of the defeated boxer is fought by athletes from BOXWERK München.

The venue for the world premiere on September 12, 2020 was the BOXWERK in Munich’s Maxvorstadt district. The audience sat on gym benches around the ring, between punching bags hanging from the ceiling. The production was successfully revived at the ID-Festival Berlin, the Mozartfest Augsburg and the HIDALGO Festival, among others.

“IF YOU FAIL EXISTENTIALLY, A PART OF YOU DIES”

In the BOX-SALON, a soprano cries, rages and sings her way through the five stages of grief. An inner battle that culminates in raw blows from boxing athletes – and thanks to its compact form, it fits on any stage, as director TOM WILMERSDÖRFFER explains

SONGS

JOHN DOWLAND
(1563 – 1626)

Come heavy sleep
In darkness let me dwell
Come again
Flow my tears
Fine knacks for ladies

KURT WEILL
(1900 – 1950)

It is raining
Pirate Jenny
Surabaya Johnny
Youkali
One life to live

TRAILER

TECHNICAL RIDER

LIGHT
3 X profile spotlights LED CW/WW
3 X moving light (small, RGBW)
3 X Stand with aluminum pipe
3 X flash (small)
1 X Tracker on tripod
2 X manual dimmer (DMX-capable)
2 X light bulb
1 X lighting console (GrandMA or similar)
If possible, hang headlights

STAGE
LARGE SPACE 5 x 5 meters
SMALL OPEN SPACE 3 x 3 meters

EQUIPMENT & REQUISITE
1 X FLÜGEL tuned Steinway (or comparable)

Changes and adjustments to the location and available resources are possible by arrangement. The organizer shall provide event technology, performance space, equipment and props, event staff and other infrastructure such as checkrooms, lounges and catering for the artists and team at the venue. In principle, a dress rehearsal is required two days before the performance at the venue. Alternatively, a set and run-through rehearsal on the day before the performance is possible by arrangement. Further changes can be discussed. At least eight hours should be allowed for set-up, rehearsals, installation and lighting at the venue.

IMPRESSIONS