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[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]HIDALGO begins with a visit to a concert by singer Tom Wilmersd\u00f6rffer. While listening to a very conventional orchestral program at the Munich Residenz, he suddenly has an idea: Munich needs a new festival that combines high artistic quality and the venues of the young scene\u2014State Opera meets Bahnw\u00e4rter Thiel, classical music meets other art forms. That very night, Tom writes a two-page concept paper, gathers people from his circle of friends and acquaintances, and the HIDALGO rides off![\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]Within two years, an extraordinary classical music festival is to be created. Eight founding members gather in a Munich pub and establish HIDALGO e.V., complete with statutes and protocol. Tom is elected as chairman, journalist and current managing director Philipp Nowotny as secretary. The goals: 1. to make good, great art, 2. to help the art song gain more presence and 3. to “make a name for itself in the Munich cultural scene”. The name “HIDALGO” is derived from an art song by Robert Schumann, which is about a free spirit who is not afraid to take risks. We make his motto our own: “Let’s go on an adventure!”[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]In spring 2017, we go on a retreat to South Tyrol and set the course for HIDALGO\u2014we determine who is responsible for artistic, fundraising, finance, marketing and organization, which people we still need, who we need to network with, we work out which target groups we want to address and collect ideas for possible formats. Tom is appointed Artistic and Administrative Director, while Philipp takes responsibility for brand and communication. And very importantly, we have the good idea of planning a small pilot concert before we do a whole festival.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]The small pilot concert is then bursting at the seams. In the interim use “Hotel Lovelace”, we build a dream world of black light, a huge mirror and an even bigger grid installation that hangs freely in the lobby. With lots of helpers, we made the installation parts ourselves and spent three nights building the trusses alone. The first musicians to perform at HIDALGO are singer Ludwig Mittelhammer and pianist Eric Schneider. Over 300 people come\u2014success![\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]Around a year later, we organize the first HIDALGO Festival. “The HIDALGO is going around”, reports Bayerischer Rundfunk. In five events, we travel across the song cosmos. We start in the baroque Residenzsaal, which we transform into a classical music club, go to the Barbershop, let poetry slammers collide with songs with an old-school female image in the alternative Bahnw\u00e4rter Thiel, deconstruct Schubert performatively and celebrate the finale in the Minimal Club. The adventure has begun.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]In the three years since the initial idea for HIDALGO, the team has grown bigger and bigger. It is becoming increasingly difficult to make complex decisions in countless small meetings with a volunteer board\u2014professionalization is needed. Shortly before the second festival, we therefore founded the non-profit HIDALGO gGmbH. Philipp and Tom, who is also the artistic director, become managing directors. The previous sponsoring association is transformed into a support association.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]At the 2019 festival, we celebrate the Dionysian in music. We distribute the drug “Song” at street concerts, in the Hunting and Fishing Museum we enrich music with electric guitar, synthesizer and video art to create a trance party, and in the Gasteig we form a very elaborate installation from modern poetry, new compositions and a video production. The new HIDALGO festival orchestra will perform for the first time under the new musical director Johanna Malangr\u00e9, bringing the Bahnw\u00e4rter Thiel to life.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]In the middle of the covid pandemic, as we were thinking about canceling the next festival, a notification from the German Federal Cultural Foundation flutters into our mailbox: Bam! The first major funding at federal level, which we can now use to support the festival. In the years that followed, we expanded our fundraising activities. Public funds, grants from foundations, sponsorship from companies and donations from private individuals are important pillars of our art and cultural work.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]The taboo topic of “failure” was already established before the pandemic\u2014but now it fits perfectly. We shed light on it in eight formats. Our audience will see music theater with a boxing match, confess via smartphone and sit between climbing walls in an orchestra concert. They will experience a five-hour Beethoven installation in a parking garage, a dance performance, panel discussions and a Fuck Up Night as a livestream. For the first time, there will be around 100 mini-concerts spread throughout the city\u2014the beginning of our successful Street Art Song format, which has been touring Munich with young musicians, many pianos and several shipping companies every year since then.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]At the end of 2020, it is time to celebrate: The M\u00fcnchner Abendzeitung awards us the Kulturstern in the classical music category. It praised HIDALGO’s idea of “taking the art song out of its somewhat cultivated, elitist corner without compromising on quality, approaching the emotional embers of the music and also appealing to a younger audience with scenic forms”. Our “small but noble festival succeeded in doing this particularly well this year”. Thank you very much![\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]The first guest performance of HIDALGO should have been celebrated at Heidelberger Fr\u00fchling in 2020, but covid came\u2014everything else is known. But this time it’s happening: for the ID Festival Berlin in 2021, we’re restaging our BOX-SALON (directed by Tom Wilmersd\u00f6rffer) from the previous festival. And because the pandemic is still going on, we’re going back to Munich’s Boxwerk, hiring a video crew and broadcasting the evening with singer Andromahi Raptis and pianist Jonathan Ware live on Facebook and YouTube.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]Opening doors, establishing networks, giving advice and facilitating funding\u2014these are, in a nutshell, the tasks of the honorary HIDALGO Board of Trustees, which was founded in May 2021 at the first constituent meeting in Munich’s Gasteig. The members come from politics, business and culture and will meet at least once a year in future, support the management of HIDALGO and also critically monitor the development of our cultural enterprise.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]In the fourth edition, we are calling for R*Evolution\u2014against sexualized violence and man-made climate change, among other things. For the first time, we have a permanent festival location in the former “Sugar Mountain” concrete factory. Our festival orchestra will play Shostakovich against the destruction of our resources, and in the music theater RAPE & CULTURE (directed by Tom Wilmersd\u00f6rffer) we will use dance, sound design and the voices of those affected to set an example against the abuse of power in the classical music scene.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]The new HIDALGO Kollektiv officially launches at the turn of the year. The idea behind it: Artists from various disciplines and academics meet regularly, exchange ideas about their working methods, invite lecturers and find trust and a common language. Tom takes on the artistic direction, while cultural manager Elisabeth Pilhofer organizes the work phases and plays a decisive role in shaping the development of the Kollektiv. In fact, the Kollektiv soon develops into our artistic nucleus.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]Thanks to our Kollektiv, we can now not only send guest performances to other venues, but also develop completely new stage works across all genres. Our first partners are the Pinakothek der Moderne, the Neue Sammlung and the Kunstareal Munich, for which a team led by Tom and the Arcis Saxophone Quartet is developing a four-part performative installation that will last an entire day. Further collaborations will follow, including with the Munich Residenztheater.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]”Come in to the workshop of seasoned sounds”, we say in 2022. Under the motto “Upcycled”, we are revamping old formats such as the BOX SALON and SONG & SLAM, further developing the GREAT SONG AWARD (there is now a jury prize in addition to the audience prize) and showing at LOOP OF LOVE how our interdisciplinary Kollektiv, the festival orchestra and a good location can create an entire experience space. “What an enrichment”, writes the S\u00fcddeutsche Zeitung.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]Johanna Malangr\u00e9 then leaves HIDALGO to become Musical Director of the Orchestre de la Picardie in France. She is succeeded by pianist and concert designer Toni Ming Geiger as the new Musical Director. Anne Keckeis completes the artistic management team under Tom Wilmersd\u00f6rffer as dramaturgical director.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]In times of ChatGPT and debates about AI, the sixth season is dedicated to the motto “Human Machine”. With the mobile installation REFUGIUM (artistic director: Toni Ming Geiger), we are delivering audiovisual art in a van: We will be touring through Munich’s neighborhoods for over six weeks, plus guest performances in other cities. Another highlight is the song lab WHO ARE YOU (artistic directors: Paul Bie\u00dfmann, Jonas Urbat), in which we explore what happens when artificial intelligence meets artistic people at Microsoft headquarters.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]We are launching our new HIDALGO WERKSTATT with two pilot projects under the direction of Sophia Rieth. We want to connect people from different backgrounds, ages and social backgrounds through musical and interdisciplinary mediation formats; the first projects are aimed at schoolchildren. In six schools, they deal with their digital selves and physical means of expression. Together with our artists and educators, they develop flash mobs and their own dance choreographies.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]Toni Ming Geiger goes on parental leave and ends his position as Musical Director at the end of the year. He is succeeded by conductor and composer Gregor A. Mayrhofer.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]After just over two years, the Kollektiv’s work will culminate in a large, interdisciplinary stage work in May 2024 that will be seen by over 1,700 people. At the topping-out ceremony of Kulturwerke Monheim in the Rhineland, the HIDALGO collective will perform in the shell of a new concert hall\u2014with actors, dancers, a singer, two string quartets, four stages, numerous art objects, a huge sound installation across several rooms and a wild finale with buckets of paint, we celebrate the ZWISCHEN-WELT (director: Tom Wilmersd\u00f6rffer, choreography: Roberta Pisu).[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]After almost eight years as Artistic Director, Managing Director and House Director, our founder Tom Wilmersd\u00f6rffer is leaving HIDALGO. Between his first vision in 2016 and today, he has developed and staged most of HIDALGO’s productions to date with over 20 of his own music theater productions, installations and performances, initiated and built up our Kollektiv and conceived a total of seven festival programs. In terms of cultural entrepreneurship, he led the HIDALGO as chairman of the association until 2019 and played a key role in establishing and expanding the HIDALGO’s organizational structure and network. After founding HIDALGO gGmbH, he shaped the vision of HIDALGO as Co-Managing Director and continuously developed it further together with Philipp Nowotny and the management team. He recruited our Board of Trustees and ensured a stable financial basis by leading HIDALGO to permanent funding from the City of Munich and the Free State of Bavaria and building up a broad base of supporters. We wish him all the best; he will always be part of the HIDALGO family![\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]In May 2024, the management of HIDALGO will be reorganized. In future, the artistic directorate will consist of Anne Keckeis and Gregor A. Mayrhofer\u2014they will develop and implement the upcoming festival and the next seasons artistically. The previous authorized signatory Julia Wimmer will become the new Co-Managing Director; she has already been organizing elaborate formats, productions and our festivals for us since 2021. Louis Lindenborn, who has been part of the HIDALGO team since 2022, will take over the management of the important area of Development (Fundraising, Sponsoring & Booking). Sophia Rieth will continue to manage our HIDALGO workshop, Sarah B\u00f6hner our office, Elisabeth Pilhofer the HIDALGO collective as project manager, and Philipp Nowotny will remain Co-Managing Director alongside Julia.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row_content” full_height=”yes” columns_placement=”bottom” content_placement=”middle” row-text-align=”center” background-position=”center-center” css=”.vc_custom_1722332296637{background-image: url(https:\/\/hidalgofestival.de\/wp-content\/uploads\/2022\/09\/orplid-happening-max-ott0150.jpg?id=4973) !important;}”][vc_column][vc_column_text] Chronicle [\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1653412258096{margin-top: 30px !important;margin-bottom: 0px !important;}”][vc_column width=”1\/2″][vc_column_text] August 2, 2016: The idea [\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]HIDALGO begins with a visit to a concert by singer Tom Wilmersd\u00f6rffer. While listening to…<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7709,"menu_order":25,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9545","page","type-page","status-publish","hentry"],"yoast_head":"\n