[vc_row full_width=”stretch_row” content_placement=”bottom” background-position=”center-center” css=”.vc_custom_1624813453708{margin-bottom: 40px !important;padding-top: 30% !important;background-image: url(https:\/\/hidalgofestival.de\/wp-content\/uploads\/2021\/06\/hidalgo-tiefsee-premiere-a-max-ott-0038-1.jpg?id=2872) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” el_class=”gradient”][vc_column width=”2\/3″][vc_column_text css_animation=”fadeInLeft” el_class=”produktion-headline”]<\/p>\n
[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_column_text css_animation=”fadeInUp” css=”.vc_custom_1738078571961{margin-bottom: 80px !important;}”]<\/p>\n
DIRECTOR<\/strong> ASSISTANT DIRECTOR & PRODUCTION ASSISTANT<\/strong> VIDEO<\/strong> 3D ART<\/strong> DIGITAL LIVE ART<\/strong> SCENERY<\/strong> CONSTRUCTION<\/strong> MEDIA SERVER<\/strong> TECHNOLOGY<\/strong> LYRIC<\/strong> COMPOSITION<\/strong> SCROLLEN IN TIEFSEE is an attempt to bring the art song into the 21st century. The multidimensional work combines contemporary poetry, composition, video mapping and spatial installation. The art forms merge: the video images interact with the singing, the piano and the movement in the room. Electronic sounds and video meet a classical song duo. It is precisely this meeting and merging of the digital and analog worlds that Tristan Marquardt describes in the poem on which the work is based.<\/p>\n While the artistic debate on digitalization is currently focused primarily on the future (“What does artificial intelligence mean for us?” \/ “Can it turn against us?” \/ “What will our society look like in the future?”), digitality is already having a huge impact on society and individuals today. We move through browser windows just as naturally as through the streets of our city.<\/p>\n In this sense, Marquardt offers a lyrical reflection on our everyday lives: “in a server farm, activists paralyze the cooling system. \/ x terrabytes of data seep away, become detectable in the groundwater.” Composer Christopher Verworner juxtaposes classical singing and piano playing with electronically produced sounds, thus continuing the poem’s play for interpretative sovereignty between the worlds.<\/p>\n Contrary to classical song performance practice, the singer serves primarily as a medium, not as an actor. He is invisible for long stretches. The semi-transparent installation tears down the boundary between stage and auditorium. The audience is drawn into the maelstrom of the dream world. Real images are mixed with animated or live rendered, abstract interpretations that seem to fight for supremacy in space. They react in real time to volume, to frequencies in vocals, piano and electronic composition as well as to movements. This creates a direct connection between the visual level and not only the poetry, but also the music and the space.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1624551356779{margin-bottom: 40px !important;}”][vc_column][vc_column_text el_class=”narrow”]<\/p>\n [\/vc_column_text][vc_raw_html]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[\/vc_raw_html][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1624547020511{margin-bottom: 40px !important;}”][vc_column][vc_column_text el_class=”narrow”]<\/p>\n [\/vc_column_text][vc_gallery type=”image_grid” images=”7101,7103,7105,7107,7108,7110,7111,7113″ img_size=”300×300″][\/vc_column][\/vc_row][vc_row el_class=”narrow” css=”.vc_custom_1624548198142{margin-bottom: 60px !important;}”][vc_column][vc_column_text]<\/p>\n The cast corresponds to the usual artistic level of HIDALGO and its artist collective. The artists may vary depending on availability.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":" [vc_row full_width=”stretch_row” content_placement=”bottom” background-position=”center-center” css=”.vc_custom_1624813453708{margin-bottom: 40px !important;padding-top: 30% !important;background-image: url(https:\/\/hidalgofestival.de\/wp-content\/uploads\/2021\/06\/hidalgo-tiefsee-premiere-a-max-ott-0038-1.jpg?id=2872) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” el_class=”gradient”][vc_column width=”2\/3″][vc_column_text css_animation=”fadeInLeft” el_class=”produktion-headline”] Scrollen in Tiefsee [\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_column_text css_animation=”fadeInUp” css=”.vc_custom_1738078571961{margin-bottom: 80px !important;}”] DIRECTOR Tom Wilmersd\u00f6rffer ASSISTANT DIRECTOR & PRODUCTION ASSISTANT Laura Krahn…<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7880,"menu_order":14,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7974","page","type-page","status-publish","hentry"],"yoast_head":"\n
\nTom Wilmersd\u00f6rffer<\/p>\n
\nLaura Krahn<\/p>\n
\nMaximilian Riemer
\nArthur Letizky<\/p>\n
\nRoland Obenaus<\/p>\n
\nPaul Bie\u00dfmann<\/p>\n
\nKatarina Ravli\u0107<\/p>\n
\nStefan Meyer<\/p>\n
\nThilo David Heins<\/p>\n
\nLukas Kaschube
\nCastulus Forchheimer<\/p>\n
\nTristan Marquardt<\/p>\n
\nChristopher Verworner[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”narrow” css=”.vc_custom_1624540009214{margin-bottom: 40px !important;}”][vc_column width=”1\/2″][vc_column_text]DURATION<\/strong><\/span>
\n60 minutes[\/vc_column_text][vc_column_text]WORK<\/strong><\/span>
\n“Scrollen in Tiefsee \u2013 ein Lyrisches Gesamtkunstwerk” by Tom Wilmersd\u00f6rffer[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]CAST<\/span>
\n<\/strong>1 baritone \u2013 Matthias Winckhler
\n1 accompanist \u2013 Andreas Skouras<\/span>[\/vc_column_text][vc_column_text]PREVIOUS PERFORMANCES<\/strong>
\n<\/span>September 17, 2019 \u2013 HIDALGO Festival 2019
\nSeptember 18, 2019 \u2013 HIDALGO Festival 2019
\nSeptember 19, 2019 \u2013 HIDALGO Festival 2019
\n<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text el_class=”narrow”]We took a poem by a young lyricist, had music written to it, built a huge dome, shot a movie and put a singer in a jumpsuit. A course between streets and Skype windows, clouds and control centers, tides and data streams.<\/strong><\/p>\nTRAILER<\/h2>\n
IMPRESSIONS<\/h2>\n
CAST<\/h2>\n