MUSICAL DIRECTION
\n<\/span><\/span><\/strong>Johanna Malangr\u00e9<\/p>\nCONCERT DESIGN<\/strong>
\nTom Wilmersd\u00f6rffer<\/p>\nLIGHTING DESIGN<\/strong>
\nLukas Kaschube[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”narrow” css=”.vc_custom_1624540009214{margin-bottom: 40px !important;}”][vc_column width=”1\/2″][vc_column_text]DURATION<\/strong><\/span>
\n60 minutes[\/vc_column_text][vc_column_text]WORKS<\/strong><\/span>
\n“Concerto for String Orchestra” by Gra\u017cyna Bacewicz
\n“Ernste Ges\u00e4nge” by Hanns Eisler
\n“Verkl\u00e4rte Nacht” by Arnold Sch\u00f6nberg[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]CAST<\/span>
\n<\/strong>1 baritone \u2013 Johannes Kammler
\n1 string orchestra \u2013 HIDALGO Festival Orchestra
\n1 concert master \u2013 Johanna Pichlmair
\n<\/span>[\/vc_column_text][vc_column_text]PREVIOUS PERFORMANCES<\/strong>
\n<\/span>September 13, 2020 \u2013 HIDALGO Festival 2020<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text el_class=”narrow”]The HIDALGO Festival Orchestra plays abysmal works by Bacewicz, Eisler and Sch\u00f6nberg in a climbing hall. The young instrumentalists under conductor Johanna Malangr\u00e9 come from the BR Symphony Orchestra, the Bavarian State Orchestra and the Berlin Philharmonic, among others. The audience sits directly next to the orchestra and baritone Johannes Kammler (Stuttgart State Opera)\u2014if hygiene rules allow.<\/strong><\/p>\nAs humans, we have a primal need to express ourselves. We want to communicate what we experience inside. Even unspoken things such as shame, disappointment and hopelessness need to come out somehow. Art has the task of making this hidden world visible, tangible and audible. And because our lives really aren’t an Instagram feed, the music\u2014our music\u2014doesn’t have to be trivially beautiful, but raw, real and close. Our concert hall is not a museum temple, but a climbing hall where people usually sweat. Here they try to overcome body and mind and create impossible moves. In the end, they fall, and they know it.<\/p>\n
In ABGR\u00dcNDE we, orchestra and audience, plunge into deep ravines. We sit between boulder walls that rise above us like a canyon. We hear the “Concerto for String Orchestra”, with which the Polish composer Gra\u017cyna Bacewicz explored the limits of the string orchestra in 1948. A work full of breathless, courageous energy, which is incredibly difficult to play, but shines in every color imaginable: unstoppably fast, then warm and soft, then immediately ghostly pale, often urgently dancing. We listen to the “Ernste Ges\u00e4nge” by Hanns Eisler, who dissected laconic bitterness, disillusionment and resignation with an almost scientific coolness\u2014which is perhaps worse than having the strength to shout out your suffering.<\/p>\n
The songs with baritone are sparsely orchestrated and sound as if under a dull, gray cloud over East Berlin in GDR times, where Eisler died a few months after the first performance in 1962. Finally, with Arnold Sch\u00f6nberg’s “Verkl\u00e4rte Nacht”, we reach the lowest point and everything imaginable in terms of darkness, fear and human error. The 25-year-old Sch\u00f6nberg, who later shaped atonal twelve-tone music, was himself on the edge of the abyss here in 1899: the work is highly romantic, but you can already sense the tendency to let everything collapse.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1624551356779{margin-bottom: 40px !important;}”][vc_column][vc_column_text el_class=”narrow”]<\/p>\n
TRAILER<\/h2>\n
[\/vc_column_text][vc_raw_html]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[\/vc_raw_html][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1624547020511{margin-bottom: 40px !important;}”][vc_column][vc_column_text el_class=”narrow”]<\/p>\n
IMPRESSIONS<\/h2>\n
[\/vc_column_text][vc_gallery type=”image_grid” images=”7073,7081,7082,7083,7085,7087,7088,7089″ img_size=”300×300″][\/vc_column][\/vc_row][vc_row el_class=”narrow” css=”.vc_custom_1624548198142{margin-bottom: 60px !important;}”][vc_column][vc_column_text]<\/p>\n
CAST<\/h2>\n
The cast corresponds to the usual artistic level of HIDALGO and its artist collective. The artists may vary depending on availability.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
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