{"id":7928,"date":"2021-06-24T19:00:17","date_gmt":"2021-06-24T17:00:17","guid":{"rendered":"https:\/\/hidalgofestival.de\/collective\/portfolio\/song-slam\/"},"modified":"2025-01-28T13:59:32","modified_gmt":"2025-01-28T12:59:32","slug":"song-slam","status":"publish","type":"page","link":"https:\/\/hidalgofestival.de\/en\/collective\/portfolio\/song-slam\/","title":{"rendered":"Song & Slam"},"content":{"rendered":"

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Song & Slam<\/h1>\n

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CONCEPT
\n<\/span><\/span><\/strong>Tom Wilmersd\u00f6rffer
\nFee Brembeck<\/span>
\n<\/span><\/p>\n

PRODUCTION<\/span><\/span><\/strong>
\nTom <\/span>Wilmersd\u00f6rffer<\/span><\/p>\n

DRAMATURGY
\n<\/strong>Castulus<\/span> Forchheimer<\/span><\/p>\n

LIGHT & TECHNOLOGY<\/strong>
\nLukas Kaschube<\/span>
\n<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”narrow” css=”.vc_custom_1624540009214{margin-bottom: 40px !important;}”][vc_column width=”1\/2″][vc_column_text]DURATION<\/strong><\/span>
\n120 minutes (partial version: 80 minutes)<\/span><\/span>[\/vc_column_text][vc_column_text]WORKS<\/strong><\/span>
\n“Frauenliebe und -leben” and “Dichterliebe” by Robert Schumann<\/span><\/span>
<\/span>Texts by well-known <\/span>poetry <\/span>slammers<\/span><\/span>
<\/span>Monologues according to dating guides<\/span><\/span>[\/vc_column_text][vc_btn title=”Production images” style=”classic” shape=”square” color=”juicy-pink” align=”left” link=”url:https%3A%2F%2Fhidalgofestival.sharepoint.com%2Fsites%2Fmarketing%2FFreigegebene%2520Dokumente%2FForms%2FAllItems.aspx%3ForiginalPath%3DaHR0cHM6Ly9oaWRhbGdvZmVzdGl2YWwuc2hhcmVwb2ludC5jb20vOmY6L3MvbWFya2V0aW5nL0VpZ2JBeUJDU2c1QW5iSm5BcGFUaUFzQkVKSXdfTnJQZmtsYzZDSXBCb0tLdlE%255FcnRpbWU9UjRlUEloUTMyVWc%26viewid%3D98c8c75c%252Dfa42%252D47a1%252Dbbb9%252D698954dcfbfd%26id%3D%252Fsites%252Fmarketing%252FFreigegebene%2520Dokumente%252F03%2520%252D%2520Presse%252Fextern%252FHIDALGO%2520Song%2520%2526%2520Slam|title:%22The%20boxing%20match%20brings%20something%20raw%20to%20the%20song%20production%22|”][\/vc_column][vc_column width=”1\/2″][vc_column_text]CAST
\n<\/span><\/strong>1 mezzo-soprano + song accompanist
\n<\/span>1 baritone + song accompanist
\n<\/span>3 slam poets
\n<\/span>1 actress<\/span>[\/vc_column_text][vc_column_text]PREVIOUS PERFORMANCES
\n<\/strong><\/span>10.09.2018 \u2013 HIDALGO Festival 2018 (UA)
\n<\/span>01.07.2019 \u2013 HIDALGO Festival 2019
\n<\/span>31.03.2020 \u2013 Heidelberger Fr\u00fchling (canceled due to Covid)<\/span>
\n13.10.2022 \u2013 HIDALGO Festival 2022
\n02.03.2024 \u2013 Kurt Weill Festival, Dessau<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” rtl_reverse=”yes” background-position=”center-center” css=”.vc_custom_1624554591610{padding-top: 20% !important;padding-right: 10% !important;padding-bottom: 20% !important;padding-left: 10% !important;background-image: url(https:\/\/hidalgofestival.de\/wp-content\/uploads\/2021\/05\/DSC8196-scaled.jpg?id=1671) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” el_class=”narrow”][vc_column width=”2\/3″ el_class=”narrow”][vc_column_text css_animation=”fadeInLeft” el_class=”big-quota”]<\/p>\n

“Classical music for <\/span><\/span>young people<\/span><\/span>“<\/h2>\n

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S\u00fcddeutsche Zeitung<\/h4>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text el_class=”narrow”]Art song as an exhibition match: on stage, slam poets compete, rub and bump against the works of Heinrich Heine, Adelbert von Chamisso and Robert Schumann. Provocative, thoughtful, with a lot of anger and even more humor, the nationally renowned prizewinners dissect the gender images of Romanticism with their own modern texts.<\/strong><\/p>\n

They are juxtaposed with two song cycles by Robert Schumann, which tell of love and devotion. They deal with submissive wives (“Frauenliebe und -leben”) and vulnerable admirers (“Dichterliebe”)\u2014and are sometimes highly controversial today due to the gender roles portrayed. Poetry slam and social issues meet classical music of the highest quality at SONG & SLAM. An actress leads through the evening with chauvinistic texts from the pick-up scene.[\/vc_column_text][vc_column_text css_animation=”none” el_class=”big-quota” css=”.vc_custom_1738064073682{margin-top: 80px !important;margin-bottom: 10px !important;}”]<\/p>\n

“hip and urban<\/span><\/span>“<\/span><\/h2>\n

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BR Classic<\/h4>\n

[\/vc_column_text][vc_column_text el_class=”narrow”]The songs are interpreted by up-and-coming musicians who are among the best in Germany. The world premiere was performed by mezzo-soprano Anna-Doris Capitelli and pianist Tae-Yang Jeong (both members of the Accademia Teatro alla Scala in Milan), baritone Andreas Burkhart and pianist and Hugo Wolf Prize winner Jonathan Ware. The Mephistophelean presenter “Luzia” was played by actress Theresa Weihmayr (Stadttheater Ingolstadt). Fee Brembeck (German-speaking U-20 champion), Yannik Sellmann (Bavarian champion) and Sandra Da Vina (NRW champion) performed as slam poets.<\/p>\n

The Munich classical music festival HIDALGO performed SONG & SLAM for the first time on September 10, 2018. The club Bahnw\u00e4rter Thiel was sold out, with visitors following the immediate staging on benches, crates and armchairs. Classical music lovers and poetry slam fans, young and old, suits with wine glasses and student hipsters with beer bottles sat next to and with each other. The evening was accompanied by newspaper and radio reports as well as a TV report recorded on site on Bavarian television.<\/p>\n

After a revival in Munich in summer 2019, the Heidelberger Fr\u00fchling had bought SONG & SLAM for March 2020, but the guest performance was canceled due to the Covid pandemic. In October 2022, the production was performed again in a revised version at the HIDALGO Festival.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” background-position=”center-center” css=”.vc_custom_1624554882473{margin-top: 40px !important;margin-bottom: 40px !important;padding-top: 10% !important;padding-bottom: 10% !important;background-image: url(https:\/\/hidalgofestival.de\/wp-content\/uploads\/2021\/06\/DSC8289-scaled.jpg?id=2491) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” el_class=”narrow”][vc_column width=”1\/2″ el_class=”narrow”][\/vc_column][vc_column css_animation=”fadeInRight” width=”1\/2″][vc_column_text css_animation=”none” el_class=”big-quota”]<\/p>\n

“YOU HAVE TO FIND AN ATTITUDE TO OLD TEXTS<\/span>“<\/h2>\n

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The artist Fee is not only a great voice of the German poetry slam – she also studies classical singing in Berlin. For HIDALGO, she builds a bridge between high culture and subculture<\/h3>\n

[\/vc_column_text][vc_btn title=”To the interview” style=”classic” shape=”square” color=”juicy-pink” align=”right” link=”url:https%3A%2F%2Fhidalgofestival.de%2Fzu-alten-texten-muss-man-eine-haltung-finden%2F|title:%22You%20have%20to%20find%20an%20attitude%20to%20old%20texts%22|”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1624551356779{margin-bottom: 40px !important;}”][vc_column][vc_column_text el_class=”narrow”]<\/p>\n

TRAILER<\/h2>\n

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TECHNICAL RIDER<\/h2>\n

[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]STAGE<\/strong>
\nOpen<\/span><\/span> space<\/span><\/span> in<\/span><\/span> the<\/span><\/span> auditorium: approx. 20 m\u00b2
\n<\/span><\/span><\/span><\/span>Additional stage area in the auditorium: approx. 2 m\u00b2<\/span><\/span><\/p>\n

EQUIPMENT & PROPS
\n<\/strong>3x platform 1m x 1m
\n1x grand piano (tuned Steinway or similar)
\n1x couch with blanket[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]LIGHT<\/strong>
\n1x beamer (for lyrics)
\n1x followspot (LEE 201)
\n3x PAR64 CP60 (for slammer \u2013 white)
\n2x spotlight (downlights for singer and piano \u2013 white)
\n1x spotlight (for actress \u2013 red)
\nmin. 1x LED \u2013 downlight
\nSwitchboard 48 channels<\/p>\n

SOUND<\/strong>
\n3x microphone with stand (for slammer), connection to FOH system
\n1x microport (for actress), connection to FOH system[\/vc_column_text][\/vc_column_inner][vc_column_inner][vc_column_text]Changes and adjustments to the location and available resources are possible by arrangement. The organizer shall provide event technology, performance space, equipment and props, event staff and other infrastructure such as checkrooms, lounges and catering for the artists and team at the venue. In principle, a dress rehearsal is required two days before the performance at the venue. Alternatively, a set and run-through rehearsal on the day before the performance is possible by arrangement. Further changes can be discussed. At least eight hours should be scheduled for logistics, rehearsal, set-up and lighting at the venue.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1624547020511{margin-bottom: 40px !important;}”][vc_column][vc_column_text el_class=”narrow”]<\/p>\n

IMPRESSIONS<\/h2>\n

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CAST<\/h2>\n

The cast corresponds to the usual artistic level of HIDALGO and its artist collective. The artists may vary depending on availability.[\/vc_column_text][vc_tta_accordion style=”outline” shape=”square” active_section=”1″ no_fill=”true”][vc_tta_section title=”13.10.2022 – HIDALGO Festival 2022″ tab_id=”1662151238014-f41c6b2a-30e7″]